Rosalie is young and pretty maid on the farm of the winemaker Jacob. She becomes pregnant with the servant Marko, who disappears with a gypsy singer, leaving Rosalie alone in her awkward situation.

This film is a journey from the modern world to the past, from the complex to the simple. Changing the appearance of cities is always associated with a change in the model of social relations. Through architecture, you can trace the course of history: victories and defeats, changes in the way of life of people and their key values. This is evidenced by the cities. Grozny, Volgograd, St. Petersburg, Pskov-absolutely not similar to each other, with different historical fate, however, the author shows in the film the common thing that unites their living space: the temple as an image of the universe. The largest mosque in Europe, Mamayev Kurgan, as a symbol of Victory in the World War, the polytheism of Imperial St. Petersburg, the heavenly city of ancient Pskov. However, any architectural project starts with a master pencil. The architect Andrey Anisimov tells about the exceptional features of these cities.

A version of the creation of one of the great monuments of ancient Russian literature "The Word about Igor's Regiment".

Annabelle is annoyed by family life. Most of all, she bothers her health-conscious, chain-smoking, know-it-all mother, Edda who visits regularly. When mother moves in her house for three months, because their house is being renovated, She enthusiastically takes the chance to go on a "relaxing weekend". On this occasion her girlfriend Doro, who was supposed to take care of the children, starts an affair with her husband, Friedrich. When she returns, she is appalled. She packs her things and leaves Friedrich and the family. Promptly she meets a young student at a party, who awakens the passion in her. Written by lament

A newly-married couple discover they are incompatible.

More than a decade after the release of the revolutionary skateboarding film The End, Birdhouse comes full circle with a monumental release of cinematic majesty titled The Beginning.

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The Beginning is the first installment in Brauns’ trilogy dedicated to large-scale construction development in Latvia. It captures the building process of the Pļaviņas hydroelectric station on the country’s largest river. Observation of the builders, drivers, and engineers at work highlights the human aspect of construction work. The film’s title carries symbolic weight – this is the first Riga school film, Brauns’ directorial debut, the first widescreen picture made in Latvia, and the first part of a trilogy.

Several factory workers finish their day at work and get into a car. They drive to a club where they perform the song Secret Agent Man as a rock quartet. A man with a mask of a child named Booji Boy runs into a building where his father, a man named General Boy is waiting. Subsequently, a man gives a lecture by song on the subject of devolution.